When Peppermint Barked, my 6th Spice Shop mystery, came out a few weeks ago, the owner of the local kitchen shop asked me to come by, chat with customers, and sign books. She’s sold a lot of my books – in a town without a bookstore, authors have to look for other partners and outlets – and I was delighted to hang out in the shop for an hour or so on a summer Saturday
The shop sells a line of infused olive oils and vinegars, and when I wasn’t chatting with potential readers, I listened in as two of the saleswomen gave samples and talked up the flavors, how the products could be used, what combos went well with each other and with what dishes. I’m a foodie, so I ate it up. But what I really loved was the language – and that’s why I want to share this moment with you. The terminology or lingo our characters use, the passion they speak with, even the sounds of their voices as they slip into something they know well and love – that’s another tool for bringing them alive on the page.
Think about that the next time you’re out and about. Eavesdrop, make notes, listen to what people say and how they talk about what interests them, whether its plants or tools or pets, or oil and vinegar.
“I like the feeling of a told story, where you hear a voice but you can’t identify it, and you think it’s your own voice.”
“A word is a seed. It’s alive, like the seed of a plant or tree. Inside is its entire history. If you could cut it open like the seed of a plant, you’d see wonderful things. Or, better yet, if you could examine its DNA or its genetics, you’d find thousands of changes and contributions distinguishing the rocky, creative path from its beginnings to its present recognizable form.”
“A writer can be born with a deftness in the word department, but it will do him no good unless he is born with a sensitivity to people.”