Saturday Writing Quote — on naming

“When I’m designing a character, I begin with a name. To my way of thinking, it’s impossible to create a character without one. The name I choose cannot be arbitrary, either. It’s the first of the tools that I can use in revealing who and what my creation is, and silly is the writer who fails to recognize this and just slaps any old name on a character without realizing that name’s import to the reader. Names can suggest just about anything to the reader. … traits of personality … social and ethnic background … geography … attitude, or even events that are yet to happen in the story. Names influence how a reader will feel about a character. They also make it easier for the writer to create a character.”

— Elizabeth George, American crime novelist, in Write Away!

Saturday Writing Quote — on naming

IMGP2011 “Names generate meaning in a short amount of space—they provoke thoughts, questions. That’s something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It’s a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level.”

—Joshua Ferris, American novelist, heard on NPR, 5/20/14

Saturday Writing Quote — on naming

IMGP2188I’m working on a new novel, and discovering the characters’ names is always interesting. Our names shape us, and many of us have love-hate relationships with them. Some of us change names during our lives, changing how we view ourselves. More than once, I’ve written an entire draft, then changed a character’s name, for various reasons, and seen that character suddenly come alive when given the right handle. So, for April, a few quotes on naming.

“From time immemorial men have thought that there is some mysterious essential connection between a thing and the spoken name for it. You could use the name of your enemy, not only to designate him either passionately or dispassionately, but also to exercise a baleful influence over him. . . . Not only people, but plants, animals, forces of nature, gods, demons, in fact all creatures could be affected for good or ill by solemn pronunciation of their names in the proper context.”
— Margaret Schlauch, The Gift of Tongues (1943; repr. 1960)

(Quote via Bryan Garner’s occasional blog on usage.)