I’m a big fan of literary agent and teacher Donald Maass. I’ve attended both his Break-out Novel Intensive (BONI) and his BONI Graduate Retreat, intensive seminars where 30 writers gather for a week of classes with Don, Lorin Oberwenger, and other instructors. When I attended BONI in Hood River, Oregon in April 2012, I had a 3-book contract with Berkley for the Food Lovers’ Village mysteries. The first manuscript was due August 1; I had about 60% of a first draft and felt pretty good about it. I went home and started over.
And Death al Dente won the 2013 Agatha Award for Best First Novel.
Each of Maass’s books on writing is filled with insight, easy-to-grasp analysis, and detailed exercises. I recommend them all, but particularly the most recent, The Emotional Craft of Fiction: How to Write the Story Beneath the Surface (Writer’s Digest Books, 2016). We read in large part for an emotional experience, and Maass’s book shows us how to evoke that on the page for our readers. Easy to say, difficult to do, but so much easier with a master teacher.
In mid-April, I spent a week in Hood River, Oregon attending the Breakout Novel Intensive Graduate Learning Retreat. What? you say. It’s a six-day intensive writing workshop lead by agent, teacher and novelist Don Maass. This version is aimed at students who have already attended the basic intensive — known as BONI; it’s smaller with more individualized instruction. When I attended BONI in April 2012, I had a 3-book contract for the Food Lovers’ Village Mysteries. The first draft of book one was due August 1; I had about 60% of a first draft and was feeling pretty good about it. I went home and started over.
But that book, Death al Dente, won the 2013 Agatha Award for Best First Novel. So, I’m a BONI fan, even though it took me longer than any of my classmates to come back. (Scheduling problems, mostly.)
Maass talks a lot about emotion on the page, but more significantly, about evoking emotion in the reader. His 2016 book, The Emotional Craft of Fiction: How to Write the Story Beneath the Surface, gives writers practical insights and exercises for giving readers an emotional experience. So that’s my theme for May.
It starts, I think, with E.M. Forster’s dictate: “Only connect.”
Or as American novelist and short story writer Dan Chaon said in The Writer (June 2009), “You can’t tell people how to feel when they read your work. You can only hope to connect.”
But I think maybe you can do a little more than that, actually creating an experience. How? Stay tuned.