Writing Wednesday – The Power of Community

Leslie’s desk

I’m just back from Albuquerque and Left Coast Crime, one of the three main fan conventions in mystery and crime fiction. And next week, I’m headed to Bethesda, MD, for Malice Domestic. My first conventions in three years! I found myself both unsure and excited. Unsure what to pack. How many bookmarks do I need? How many pairs of shoes? What am I forgetting, besides my mind?

And excited to see my community. Readers, writers, reviewers, booksellers, librarians, people in the publishing business. People who love curling up with a good book—and who love getting together with others to talk about the experience.

One of my writing communities has long been Sisters in Crime and the Guppies chapter, which I helped start. In 2014, SinC published a book called Writes of Passage: Adventures on the Writer’s Journey, ed. by Hank Phillippi Ryan.

Writes of Passage

My essay is titled “Group Power, For the Writer Alone in Her Room.” I was reminded of it recently when a member of an online writers’ group I’m in said of the cons, “I’m not sure I could do that. I’m an introvert.” Let me share this passage:

“I’ve been reading Susan Cain’s Quiet: The Power of Introverts in a World That Can’t Stop Talking (Crown Books, 2012). Like most writers, I’m an introvert, albeit a noisy one, or maybe an ambivert. Cain contends that most institutions in our culture—schools, corporations, even churches—push extroversion and emphasize group activities and teamwork. That emphasis often results in forming a group to tackle a problem, whether that’s really the best solution or not, and discounts key natural strengths of introverts. But while introverts need quiet time—alone in our rooms, with the voices and stories in our heads—we also like to cooperate. We value each group member’s voice, and we encourage innovation.

“That’s what makes the writers’ group so powerful. A group can help us learn new information or sift through it. SinC’s Guppies chapter thrives on that principle, with subgroups for those seeking an agent, learning Scrivener, and setting goals. A dozen writers in my neck of the woods recently formed a business and marketing group. The writer experienced with Mail Chimp presented a tutorial for would-be newsletter authors terrified by the specter of yet more technology. Those without Facebook or Twitter accounts met at a café with wifi and walked through the setup together. I helped the group learn to use our Word Press blog and conduct a blog tour. We teach, puzzle, brainstorm—and toast sales with champagne.

What groups do best, in my ambiverted opinion, is encourage its members and leverage information. Every opportunity and accomplishment I’ve had as a writer started with something I learned from a group. And with SinC and the Guppies, I didn’t even have to put on shoes.”

I do hope you’ll put on shoes and go find your community—on line or when the time is right for you, in person. And if you’re at Malice, please introduce yourself. Just don’t say anything about my shoes.

Writing Wednesday — Getting Started in the Mystery Community

Leslie’s desk

Earlier this year, a blog subscriber sent me this email:
I am working on a novel that falls into the mystery genre and it’s time I got involved with the mystery community. I have been to many writing conferences but never focused on any genre before. I see that you are/have been involved with Sisters In Crime and Mystery Writers of America. I’d like your take on what an as-yet-unpublished writer in the genre can expect from their involvement with these (and I know there are others) organizations. I can usually attend one writing conference per year, am comfortable with zoom meetings, and as mentioned I particularly like being connected to writers in the west.

I thought it might be useful to share my reply, edited a bit, since I think my advice applies broadly. I left in the regional references; with more than 60 Sisters in Crime chapters and eleven regional MWA chapters, many with meetings throughout their geographic spread, it’s not hard to find a mystery-focused writing community. And the benefits are top-notch, no matter where you are.

Hi, Lynn –

[Lovely comments about my latest book omitted.]

So where should an aspiring mystery writer start? With reading, of course, but you’ve nailed that. Either SinC or MWA would be a great starting point; MWA is geared toward the professional writer, while SinC’s mission is a little broader. Check out the SinC Guppies chapter; it’s online, a boon for those of us in the boonies, and aimed at the new and unpublished. The Guppies offers a regular slate of classes led by some excellent instructors – I’m sure this year’s schedule is on the website. The Guppies online discussion list is a great resource, although it could be a bit daunting for a newbie. SinC National – you have to be a member to join a chapter – also offers webinars at least once a month on a wide range of craft, promotion, and business topics; members have access to the archives. And both have truly excellent newsletters – the Guppies’ First Draft is bi-monthly and InSinC is quarterly.

You might also check into the Denver SinC chapter, especially if you get there with any regularity – under normal circumstances. I know several of the leaders but I don’t know how they’ve handled programming in the last two years; I imagine that most of it is now online, but that they will begin moving to a hybrid model with in-person events and an online option as soon as it’s reasonable to do so. In-person connections are invaluable.

MWA’s Rocky Mountain chapter meets in Denver, with terrific monthly programming. (I say modestly, having spoken there a few years ago, on common mistakes writers make about the law.) The meetings are in-person and broadcast, with replays of the programs available online and summarized in the monthly newsletter.

I’m also a big believer in self-education, and a great resource is the new MWA book, How to Write a Mystery: A Handbook from the Mystery Writers of America, ed by Lee Child and Laurie R. King. (I do have a small piece in it.) The hardcover came out last April; I think the paperback will be out this spring.

You asked about conferences focused on mystery. Since you’ve attended writing conferences, you probably know the difference between writers conferences, aimed at the craft and business of writing, and fan conventions like Malice, Left Coast Crime, and Bouchercon, where the goal is to create opportunities for fans to interact with authors, although other industry pros also attend. The main conferences focused on mystery writing have changed a bit but I think they are the biennial California Crime Writers conference (a joint event between the MWA SoCal chapter and the CA Writers Club, IIRC), the New England Crime Bake (a joint MWA-SinC event), Killer Nashville, and Book Passage Mystery Conference, sponsored by the Book Passage bookstore just north of San Francisco. I attended the Crime Bake when I was SinC president and it is fabulous. I also attended the BP conference and loved it, but that was 20 years ago and I don’t know much about it now. Several SinC and MWA chapters hold one-day events, too – Desert Sleuths in Phoenix comes to mind; membership is not typically required. I know the Crime Bake and Desert Sleuths offered some sort of Zoom version in the last couple of years. See if you can find a calendar of events on the SinC website – that will provide a lot more info than I can. I did find the conventions helpful when I was starting out, but they are a vastly different type of event, and I hate to see writers attend with the wrong expectations.

So that’s what I can suggest. If you have more questions, do feel free to ask. And my thanks again for your kind words about the More Than Malice panel and Bitterroot Lake. They mean a lot.

All the best to you and your mother in this new year,

Leslie

My excellent weekend — the New England Crime Bake

SinCI’ve always wanted to go a clam bake—you know, where they roast clams and lobsters and other fun stuff in a fire on a beach, and you pick up sea shells and drink beer and slather butter on every food in sight. The crime fiction equivalent is the New England Crime Bake, co-sponsored by the New England chapters of Sisters in Crime and Mystery Writers of America. The SinC-NE chapter invited me to the fourteenth annual weekend workshop, as the national president, while MWA-NE welcomed my counterpart, Executive VP Donna Andrews. It was a weekend filled with energy, creativity, inspiration, practical advice, and just plain fun.

I’m only a month into this SinC president gig, so it may be early to call something a highlight, but this will definitely be on the short list!

elizabethandleslie-300x199The guest of honor was the great Elizabeth George—whom I first met 16 years ago when she taught an intensive mystery writing workshop at Book Passage Bookstore outside of San Francisco. (That’s where I met my friends Leann Sweeney, Deborah Lacey, and Tim Wohlforth, all now busy writing, publishing, and otherwise staying active in the mystery world!) In her honor, the weekend had a British theme.

Crime Bake debutsFriday afternoon began with master classes, including Elizabeth talking about beginnings, Barb Ross on Revision, Janet Reid on querying, Gayle Lynds on thrillers, and Steve Kelner on motivation. That evening, after a pizza party and more sessions, came a welcome reception with desserts, and the main event, the celebration of TWENTY-TWO attendees whose first books had been published in the year since the last Crime Bake. Donna and I did the honors, introducing the authors and giving them lovely blue ribbons they sported all weekend! Later, an episode of the Inspector Lynley Mysteries aired.

SinC NE board meeting

Saturday, I joined the SinC-NE board for their breakfast meeting. It’s an impressive chapter, and I was delighted to learn more about their activities and their plans.

Unlike the fan conventions, Bouchercon, Left Coast Crime, or Malice Domestic, which bring readers and writers together, Crime Bake is for writers. Programming was practical, and dealt with the daily realities of getting our stories on to the page. Attendees have opportunities to craft and deliver pitches to agents and editors, and to have a partial manuscript critiqued by a published author. I moderated a panel titled A Traitor to Memory: Writing about the Past — all the panels were named for one of Elizabeth’s books — featuring historical mystery authors Kathy Lynn Emerson, Dorothy Cannell, Mary Lawrence, and Jim Benn. This was Mary’s first conference as a published author, and her first panel ever—what a pleasure to share in the nervous excitement! I read a book by each author, and I can tell you, if you love historicals, these are all great fun—and beautiful illustrations of why the historical mystery is more popular than ever.

Over lunch, Julie Hennrikus, SInC-NE co-chair and national board member, who writes as Julianne Holmes, interviewed Elizabeth. I have always loved Elizabeth’s books, and been impressed by how methodical she is in her planning—as she says, getting the craft in place so when she begins writing, she’s made room for the art.

Another excellent and useful session: Ask the Experts, a drop-in session where writers can run their scenarios and questions by experts in law (me), death investigation, law enforcement, and audio books.

That evening at the banquet, many attendees dressed up as characters from British mysteries. Donna, Margery Flax of MWA, and I were the contest judges. Most Original? Clearly the couple dressed as the Edward Gorey characters from Masterpiece Theater — she even had the moan down. Best Couple or Group, though they may not have intended to a be group: the Hogwarts Contingent, including Hank Phillippi Ryan as Beatrix LeStrange and her husband Jonathan Shapiro as Dumbledore, and Nikki Bonanni as Harry Potter. Most British? A tie between Amelia Peabody, with a mummified cat, and QE2, with a stuffed Corgi.

For dour New Englanders, these people do like to have fun. The Flashwords contest was particularly clever: Write a 150 word flash story using at least ten words from Elizabeth’s titles—not counting a or the. You know, easy-to-use words like consequences, vengeance, and deception. The winners read their pieces out loud, some surprisingly funny. (You can read them all, including mine, which wasn’t eligible for a prize, on the Crime Bake website.)

Sunday sessions included two writer-cops updating us on the profession, in a fun and useful way—they’d also staged a mock crime scene for writers to investigate and solve over the weekend—and an expert in cyber crime, a hilariously funny man with absolutely horrifying information to share. In the wrap-up session, Hank interviewed four authors of how-to books for writers: Elizabeth, Hallie Ephron, Kathy Lynn Emerson, and Paula Munier.

Wicked Cozy lunchThe Wicked Cozy Authors have all become good friends of mine over the last couple of years, and each was at the Crime Bake. I joined 6 of them for lunch Sunday, as the token northwesterner. (Jule Hennrikus, Sherry Harris, me, Barb Ross, Sheila Connolly, Liz Mugavero, and Jessie Crockett. Photo by Jessie’s husband!)

I forget to take photos, but here’s a raft and another raft of them from the Wickeds, and more from official photographer Mo Walsh on the Crime Bake memories page.

I came home energized and eager to write, as I’m sure all the attendees did. This is a terrific writers conference, and I recommend it to anyone serious about writing crime fiction. Next year’s conference is November 11-13, 2016, with guest of honor William Kent Krueger, whose Ordinary Grace remains high on my list of great reads. Kent’s from northern Minnesota, so I’m picturing the costumes: lots of plaid shirts and camo, half a dozen Paul Bunyans, maybe even a fish or two. After all, it is a crime bake.

(Photos by Mo Walsh.)

The Saturday Writing Quote — Margaret Maron on character

“Unless you’re writing flat-out thrillers that move so fast your reader has no time to think about logic or consistency, characters will trump plots every time.”

Margaret Maron, American mystery novelist, Mystery Writers of America Grand Master (2013), past president of Sisters in Crime, and creator of Judge Deborah Knott, one of my very favorite characters

Dorothy Cannell Guppy Scholarship

From In SinC, the Sisters in Crime Quarterly:

“To honor one of the most enduring author/agent partnerships in mystery publishing, Sisters in Crime is administering the Dorothy Cannell Guppy Scholarship, offered by agent Meg Ruley to honor her long-time client.

The $1,000 scholarship will be offered each year to an aspiring or published mystery author who is a member of the Guppies (a member of the Sisters in Crime GUPpy or “Great Unpublished” chapter), and is designed to subsidize attendance at the Malice Domestic conference, held annually in Bethesda, Maryland.

Malice Domestic honors the traditional mystery and awards the prestigious “Agatha,” named for Agatha Christie. According to Rule, “Attending Malice was, for Dorothy as for many other crime writers, a wonderful introduction to the community of mystery readers and writers. This scholarship will allow another new writer (published yet or not) the opportunity.”

To apply, a Guppy member should send a statement, no more than 200 words, about how attending Malice will support her writing goals, to Sisters in Crime at sistersincrime@juno.com, RE: Dorothy Cannell Scholarship.

All entries should be received by December 1, 2015. The winner will be selected from the entrants and announced early in 2015. The award will be for attendance at Malice Domestic May 1-3, 2015.”

Wow. As an original Guppy—one of two—I’m stunned and grateful. Thank you, Meg and Dorothy. Gups, get your entry in soon! 

 

Writes of Passage — a terrific new resource

WRITES OF PASSAGE front

 

Delighted to share news of a terrific new resource for writers: Writes of Passage: Adventures on the Writer’s Journey, a collection of 59 essays by members of Sisters in Crime, edited by Hank Phillippi Ryan and published by Henery Press.

A road map for writers in any genre, from novice to bestseller, it’s filled with advice and inspiration for the writer determined to keep on trekking.

My own essay opens the section on Belonging, and is titled “Connecting: Group Power, for the Writer Alone in Her Room.” Other contributors include Hallie Ephron, Elaine Viets, Krista Davis, Sheila Connolly, Jenny Milchman, Carla Neggers, Nancy Martin, and Laurie R. King. Needless to say, I’m thrilled at the company.

I’ll be sharing snippets from essays on my Facebook Author page over the next few weeks. I hope you’ll join me there, or better yet, buy your own copy. It’s available on Amazon , from Barnes & Noble in store or online, through Indiebound, the Independent Booksellers Association, or from Henery Press, in hardcover, trade paperback, and e-book.

Because who doesn’t need to peek at a map now and then?

 

Library Love!

The ALA Midwinter meeting in Dallas wraps up this week, and the PLA annual conference hits Philadelphia in mid March. Most writers started as readers, and we got the book bug in libraries. My essay on libraries I’ve loved is featured on the Sisters in Crime blog this week; it originally appeared on Jenny Milchman’s Suspense Your Disbelief

And as the bumper sticker says, thank — or hug — a librarian today!