“Think of your novel as like a sitcom. Every character has to be interesting enough [to] have a spin-off show.”
– Tayari Jones, The Writer, Oct 2012
“Think of your novel as like a sitcom. Every character has to be interesting enough [to] have a spin-off show.”
– Tayari Jones, The Writer, Oct 2012
“The fact is that the materials of the fiction writer are the humblest. Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn’t try to write fiction. It’s not a grand enough job for you.”
— Flannery O’Connor, American novelist, 1925-64
“A story is finished when the mystery of the character has been revealed. That’s what Flannery O’Connor wrote at least, and she tends to get it right. And no mystery can be revealed if the character isn’t challenged to come to terms with what makes her alive: the desires that get her up in the morning in the first place, whether she understands them or not.”
— Michelle Hoover, in The Duplicity of A Character’s Desire, Writer Unboxed, 3/20/16
(Illustration: pastel on garnet paper, by Leslie)
“No regrets? Really?” asks author Richard Power. “I have regrets. They are sacred to me. They inform my character. They bear witness to my evolution. Glimpses of lost love and treasure are held inside of them; like small beautiful creatures suspended in amber.”
In his Breakout Novel Intensive writing workshop, literary agent and teacher Don Maass works hard at getting writers to think about all aspects of character and how our characters’ emotions drive their action. One tool he uses is to ask students to think about a specific experience they’ve had of an emotion. “What do you regret?” he asks. Invariably, students say “Just one thing?” The same thing happened when I asked that question to students in a class I taught, which answers the question “Does every character need to have a regret?” quite nicely, doesn’t it?