The Saturday Writing Quote — emotion in fiction

“What advice do you have for beginning and early-stage writers?

I know the frustration which never goes away. You want so much to sit down and get it right. You have to learn to tolerate that frustration. You have to be patient and just keep writing. You’re only going to learn it by doing it and by reading. You read and you write, and you read and you write. That’s the hard part for beginning writers: having to accept that it may be a very long process. Also you have to be willing to expose yourself – to put your true emotions in your work, or it will be flat. It really won’t be something people want to read or find any comfort in reading because it won’t be conveying to them some aspect of the human condition that they’ve experienced but don’t know they’ve experienced until they read it, and then they’ll say, “Oh, I’ve felt that.”

– novelist and short story writer Elizabeth Strout, in The Writer, Aug 2013

The Saturday Writing Quote — why seek emotional experience?

 

“People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think that what we’re seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances within our own innermost being and reality, so that we actually feel the rapture of being alive.”

— Joseph Campbell, American author and professor

 

The Saturday Writing Quote — the role of emotion

I’m reflecting this month on the role of emotion in art, primarily on the page. Not portraying characters in the midst of an emotional experience, or not just that, but creating an emotional experience for the reader.

My friend, Rachel “Rusti” Warner, a well-known tonalist painter who lives in our valley, often talks about emotion on the canvas, and quotes her teacher, painter and print-maker Russell Chatham. Art, he said, as opposed to a well-made picture, is able “to bring forth the tears.” Or as she puts it, it should communicate more than an excitement or response to the object.

And on the page, too. As my teacher, Don Maass, writes in The Emotional Craft of Fiction (2016), “Why is it important to look at fiction writing through the lens of emotional experience? Because that’s the way readers read. They don’t so much read as respond. They do not automatically adopt your outlook and outrage. They formulate their own. You are not the author of what readers feel, just the provocateur of those feelings. You  may curate your characters’ experiences and put them on display, but the exhibit’s meaning is different in thousands of ways for thousands of different museum visitors, your readers. …

When readers feel strongly, their hearts are open. Your stories can not only reach them for a moment, but they can change them forever.”

Bitterroot Winter by Rachel Warner (2017), collection of the author

The Saturday Writing Quote — creating an emotional experience for readers

In mid-April, I spent a week in Hood River, Oregon attending the Breakout Novel Intensive Graduate Learning Retreat. What? you say. It’s a six-day intensive writing workshop lead by agent, teacher and novelist Don Maass. This version is aimed at students who have already attended the basic intensive — known as BONI; it’s smaller with more individualized instruction. When I attended BONI in April 2012, I had a 3-book contract for the Food Lovers’ Village Mysteries. The first draft of book one was due August 1; I had about 60% of a first draft and was feeling pretty good about it. I went home and started over.

But that book, Death al Dente, won the 2013 Agatha Award for Best First Novel. So, I’m a BONI fan, even though it took me longer than any of my classmates to come back. (Scheduling problems, mostly.)

Maass The Emotional Craft of Fiction: How to Write the Story Beneath the Surfacetalks a lot about emotion on the page, but more significantly, about evoking emotion in the reader. His 2016 book, The Emotional Craft of Fiction: How to Write the Story Beneath the Surface, gives writers practical insights and exercises for giving readers an emotional experience. So that’s my theme for May.

It starts, I think, with E.M. Forster’s dictate: “Only connect.”

Or as American novelist and short story writer Dan Chaon said in The Writer (June 2009), “You can’t tell people how to feel when they read your work. You can only hope to connect.”

But I think maybe you can do a little more than that, actually creating an experience. How? Stay tuned.

The Saturday Writing Quote

“Creative writing is not an escape. It’s the opposite. Fiction demands that we dive headfirst into puddles of conflict others might choose to sidestep. It asks that we scratch and dig until we unearth emotional truths, and then find a way to convey them so that a reader we’ve never met can share the same journey.”

– Kathryn Craft, on Writer Unboxed: Seeking Truth in Fiction, 1/10/19

(painting: The Barn, pastel on sandpaper, by me)

Saturday Writing quote

The Wheeling Year: A Poet's Field Book

Speaking of April:

“Month of my birth. What record do we poets leave? Not on stone tablets, but in books like leaves that have matted together under the snows of indifference. That we were fretful, mostly, but that now and then we looked up and glimpsed something wonderful passing away.”

– Ted Kooser, in The Wheeling Year: A Poet’s Field Book (2014; Univ of Nebraska Press)

The Saturday Writing Quote — the spark

Spark: How Creativity Works by [Andersen, Kurt, Julie Burstein]I’m wrapping up two months of quotes from Spark: How Creativity Works (2011) by Julie Burstein, based on interviews conducted with artists of all media for Studio 360, which she produced.

Painter Chuck Close on how he creates his portraits: “I know where I’m going to end up but I don’t know the route I”m going to take. So much is embedded in the process of following that path wherever it leads, and the things you bump into, the ideas that occur to you through the act of painting, through the process of building a painting, are so different from the ones that you sit around and dream up. I don’t wait for inspiration. If you wait for the clouds to part and be struck in the head with a bolt of lightning, you’re likely to be waiting the rest of your life. But if you simply get going something will occur to you.”

So much like writing a story or a novel. I often find that I’m “sparked” by interaction with other arts — going to a concert or a gallery opening, taking a painting class, sitting nearby when my singer-songwriter husband and his friends take turns around the circle with their song. I hope these quotes have done something similar for you.