Saturday Creativity Quote – “restarts”

book cover, Start More Than You Can Finish by Becky Blades

I’ve been sharing snippets from my friend Becky Blades’ book, Start More Than You Can Finish: A Creative Permission Slip to Unleash Your Best Ideas (Chronicle Books, 2022). She emphasizes that a project involves constantly restarting ourselves, not because we’re lazy or bad or can’t finish what we start, but because we often have to stop and reconsider what we’re doing. When we write a novel, the idea we had at the beginning may change as we go along, and we realize ‘no, it’s not that; it’s this.” In my experience, that shift can happen almost too quickly to notice, or it can require a break. Sometimes a longgg break, while we learn craft and skills we didn’t have before. Then we reignite the spark and “restart.”

“You see, not finishing is not always a focus problem; often, it’s a reignition problem. ‘Finished’ is made, quite simply, from day after day of going back to the work. Masterpieces are made by stopping deliberately and starting again. Of reactivating passion and imagination. Imagine, rinse, repeat.”

— Becky Blades, Start More Than You Can Finish: A Creative Permission Slip to Unleash Your Best Ideas (Chronicle Books, 2022)

Saturday Creativity Quote – more on the importance of starting

book cover, Start More Than You Can Finish by Becky Blades

I’ve been talking the last few weeks about getting started and the fear of failure, quoting one of my recent reads, Start More Than You Can Finish: A Creative Permission Slip to Unleash Your Best Ideas by Becky Blades. Blades describes the creative process as an amalgam of imagine-think-decide-act, not necessarily in that order. (My words; forgive me, Becky, if I’ve mangled your premise.) I had just committed — to myself — to writing a short story, knowing only the theme of the target anthology, the word limit, and where I wanted to set it when I read this:

“Deciding to create a thing we’ve imagined is more complicated than choosing between two things. It’s placing a bet on our future selves to make future choices[;] to balance facts and feelings with yet-to-be-known risks and rewards.”

Yes, yes, yes. Experience can give us a sense what ideas will pan out, even if we don’t know how they will play out. As we take bigger risks — what if my commitment had been to a novel, not a short story? — we’re making a bigger bet and may not have that sense. .

Take the bet.

Saturday Creativity Quote

As you know if you’ve read my Food Lovers’ Village mysteries, the most interesting people come to Northwest Montana, whether to Jewel Bay or its model, Bigfork, the village where we live. One is Becky Blades, who summers here. She’s a delight, a writer, artist, and former marketer and entrepreneur whose most recent book is Start More Than You Can Finish: A Creative Permission Slip to Unleash Your Best Ideas (2022, Chronicle Books).

Last week, I mentioned a well-known watercolorist, Iain Stewart, saying you had “to be willing to ruin a painting,” and author and teacher Jane Friedman writing about the fear of failure. Becky’s premise is that starting projects is valuable in and of itself — regardless of whether we finish or see them as successful — for a variety of reasons; I’ll touch on a few over the next few weeks. Meanwhile, contemplate this:

We are not the sum of our failures and missed opportunities, or our unfinished work. Nor are we made only of our big wins, the handful of things that turned out just like we wanted.

We are the sum of the imaginings we ignite and our ideas acted upon. We are the curiosities we chase and the potential that they illuminate in us.

We are the sum of our starts.”

— Becky Blades, Start More Than You Can Finish (emphasis original)

Saturday Creativity Quote

Flowers -- watercolor by Leslie Budewitz

Mr. Right and I often go to gallery openings, both for friends’ exhibits and for group shows at galleries and museums we like. An exhibit we particularly enjoy is the annual Watermedia exhibit sponsored by the Montana Watercolor Society, frequently held at the Bigfork Art & Cultural Center. This year, the juror for the exhibit, Iain Stewart, who also taught a workshop, said that if you seriously wanted to improve your work, you had “to be willing to ruin a painting.”

I was reminded of that when I read Jane Friedman’s article “How Can I Set Aside the Cacophony of Writing Advice and Just Write” and this passage describing the writer’s equivalent:

“There are some writers I meet who simply fear messing up and try to gather as much advice as possible before they even begin. Unfortunately, the writing process is more or less defined by messing up and starting over. Writing is revising. Good writing advice can help you avoid the serious pitfalls, or bring clarity to a confusing process, but creative work of any kind is going to involve countless bad ideas. It’s important to work through the bad stuff to get to the good stuff. (And hopefully you’ve gained enough self-awareness to know when you’ve moved past the bad into the good.)”

So there you have it. Go forth and mess up.

More on this theme to come.

Watercolor by Leslie

Saturday Creativity Quote — Virginia Woolf

An open box of colored pencils
Pencils (photo by the author)

“For it would seem… that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver…

So long as you write what you wish to write, that is all that matters, and whether it matters for ages or only for hours, nobody can say…”

~ Virginia Woolf

Saturday Creativity Quote — Marge Piercy on doing the work

photo of welded sculpture of a heron, with a mountain lake in the background

I subscribe to the Poetry Foundation’s free Poem-A-Day email, something I recommend to all writers, whether you think you like poetry or not. It’s a way to stretch how you think about language, and play a bit. This poem by Marge Piercy (b. 1936) was a recent featured poem. It’s a bit harsh and a bit funny, and more than a bit insightful about how art and artists are perceived in our society.

For the young who want to
BY MARGE PIERCY (1980)

Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.

Work is what you have done
after the play is produced
and the audience claps.
Before that friends keep asking
when you are planning to go
out and get a job.

Genius is what they know you
had after the third volume
of remarkable poems. Earlier
they accuse you of withdrawing,
ask why you don’t have a baby,
call you a bum.

The reason people want M.F.A.’s,
take workshops with fancy names
when all you can really
learn is a few techniques,
typing instructions and some-
body else’s mannerisms

is that every artist lacks
a license to hang on the wall
like your optician, your vet
proving you may be a clumsy sadist
whose fillings fall into the stew
but you’re certified a dentist.

The real writer is one
who really writes. Talent
is an invention like phlogiston
after the fact of fire.
Work is its own cure. You have to
like it better than being loved.

Saturday Creativity Quote — on failing and more

A few weeks ago, the novelist and musician James McBride was interviewed on the PBS Newshour, talking about his work and the release of The Heaven and Earth Grocery Store, an alternative history of the grandmother he never knew. It’s a terrific interview, not long, and I think you’ll enjoy it.

“I don’t mind failing. Writers, most of what we do fails. And that’s the lesson writing teaches you. I tell young writing students all the time, fail and fail better.”

On giving his grandmother a better life than the one she had, on the page: “Fiction is magical that way. Fiction allows your dreams to come true.”

Saturday Creativity Quote

“Ethnic specificity in fiction goes far beyond race or color. Think about Frances McDormand’s character in Fargo,” who embodies a specific ancestry and place.”

Naomi Hirahara, at Left Coast Crime mystery convention, 2023

I loved Clark & Division, set in the Japanese community in Chicago during WW II and focused on a California family just released from the camps who cannot return home. When they arrive, hoping to connect with the older daughter released earlier, they discover that she’s dead — and they mystery begins.

Saturday Creativity Quote

I occasionally get a note from a reader who tells me that my books kept her company in a difficult time, or that something I wrote triggered a new insight. Those are moments of pure magic.

“You never know how your creative work leads to small but meaningful decisions in other people’s lives. To actions they take, or a gateway that opens up to them through your words.”
– Dan Blank, “Art Lasts,” Creative Shift newsletter