I’m reflecting this month on the role of emotion in art, primarily on the page. Not portraying characters in the midst of an emotional experience, or not just that, but creating an emotional experience for the reader.
My friend, Rachel “Rusti” Warner, a well-known tonalist painter who lives in our valley, often talks about emotion on the canvas, and quotes her teacher, painter and print-maker Russell Chatham. Art, he said, as opposed to a well-made picture, is able “to bring forth the tears.” Or as she puts it, it should communicate more than an excitement or response to the object.
And on the page, too. As my teacher, Don Maass, writes in The Emotional Craft of Fiction (2016), “Why is it important to look at fiction writing through the lens of emotional experience? Because that’s the way readers read. They don’t so much read as respond. They do not automatically adopt your outlook and outrage. They formulate their own. You are not the author of what readers feel, just the provocateur of those feelings. You may curate your characters’ experiences and put them on display, but the exhibit’s meaning is different in thousands of ways for thousands of different museum visitors, your readers. …
When readers feel strongly, their hearts are open. Your stories can not only reach them for a moment, but they can change them forever.”
Bitterroot Winter by Rachel Warner (2017), collection of the author