The Saturday Writing Post — the spark

Spark: How Creativity WorksI’m continuing to share a few of my favorite observations from Spark: How Creativity Works by Julie Burstein (Harper Collins, 2011), based on interviews conducted for Public Radio’s Studio 360, by Kurt Andersen and produced by Burstein.

Trumpeter and composer Terence Blanchard on working on a soundtrack for a documentary about Katrina: “You can’t avoid your daily experiences. You have to write about those. From an artistic point of view, I had to do it. [Surviving and recovering from Hurricane Katrina] became a very emotional thing. … I didn’t want to be a part of that whole movement of folks where when something happens, everybody tried to jump on the bandwagon. But at the same time, I started realizing that I am a part of the story. Being an artist, you can’t avoid your social setting. …  The trumpet represents, in my mind, people on the rooftops crying for help and not being heard.”

The Agatha Award nominations are out — celebrate with me!

cat sleeping with tea potsThe Agatha Awards are given every May at Malice Domestic, the convention celebrating the traditional mystery. It’s always fun to see the list of nominees — and to try to read as many as I can before “the con,” so I can cast my vote.

It’s even more fun to see the list when I’m on it! “All God’s Sparrows,” my first historical short story, is nominated for Best Short Story. It was originally published in Alfred Hitchcock Mystery Magazine, May-June 2018; it’s now available, free, on my website. The authors of the other nominated shorts have also posted their stories — it’s a tradition, because so many stories would not otherwise be available — see the links below.

In 1885 Montana Territory, “Stagecoach Mary” Fields and Sister Louisine encounter a young mother and her daughter whose plight requires an inspired intervention. Mary is a historic figure who was born in slavery in Tennessee in 1832 and moved to Montana Territory to care for the ailing Mother Superior at St. Peter’s Mission near Cascade.

I’ve got a pair of Agatha teapots, for Best Nonfiction (2011) and Best First Novel (2013) — that’s Ruff, our late kitty, lounging with them in the library window sill. But honestly, that makes me even more excited, because I know what an honor a nomination is. And I’m sure you’ll agree that the other stories are terrific — I feel like we’re all winners already.

Here’s the full list, courtesy of Malice Domestic:

Announcing the 2018 Agatha Award Nominees

Best Contemporary Novel

Mardi Gras Murder by Ellen Byron (Crooked Lane Books)
Beyond the Truth by Bruce Robert Coffin (Witness Impulse)
Cry Wolf by Annette Dashofy (Henery Press)
Kingdom of the Blind by Louise Penny (Minotaur)
Trust Me by Hank Phillippi Ryan (Forge)

Best Historical Novel 

Four Funerals and Maybe a Wedding by Rhys Bowen (Berkley)
The Gold Pawn by LA Chandlar (Kensington)
The Widows of Malabar Hill by Sujata Massey (Soho Crime)
Turning the Tide by Edith Maxwell (Midnight Ink)
Murder on Union Square by Victoria Thompson (Berkley)

Best First Novel

A Lady’s Guide to Etiquette and Murder by Dianne Freeman (Kensington)
Little Comfort by Edwin Hill (Kensington)
What Doesn’t Kill You by Aimee Hix (Midnight Ink)
Deadly Solution by Keenan Powell (Level Best Books)
Curses Boiled Again by Shari Randall (St. Martin’s)

Best Short Story

“All God’s Sparrows” by Leslie Budewitz (Alfred Hitchcock Mystery Magazine)
“A Postcard for the Dead” by Susanna Calkins in Florida Happens (Three Rooms Press)
“Bug Appetit” by Barb Goffman (Ellery Queen Mystery Magazine)
“The Case of the Vanishing Professor” by Tara Laskowski (Alfred Hitchcock Mystery Magazine)
“English 398: Fiction Workshop” by Art Taylor (Ellery Queen Mystery Magazine)

Best Children’s/YA Mystery

Potion Problems (Just Add Magic) by Cindy Callaghan (Aladdin)
Winterhouse by Ben Guterson (Henry Holt)
A Side of Sabotage by C.M. Surrisi (Carolrhoda Books)

Best Nonfiction

Mastering Plot Twists by Jane Cleland (Writer’s Digest Books)
Writing the Cozy Mystery by Nancy J Cohen (Orange Grove Press)
Conan Doyle for the Defense by Margalit Fox (Random House)
Agatha Christie: A Mysterious Life by Laura Thompson (Pegasus Books)
Wicked Women of Ohio by Jane Ann Turzillo (History Press)

 

The Agatha Awards will be presented on May 4, 2019 
during Malice Domestic 31.  

(Picture of “Stagecoach Mary” Fields courtesy of the Montana Historical Society.)

The Saturday Writing Post — the spark

Spark: How Creativity Works A few weeks ago, I read Spark: How Creativity Works, by Julie Burstein (Harper Collins, 2011), based on interviews broadcast by Public Radio’s Studio 360 program, conducted by Kurt Andersen and produced by Burstein. Subjects included novelists, poets, filmmakers photographers, painters, an architect, and others. This month, I’ll quote a few of my favorite observations.

“Lots of things I choose to write about, inevitably they’re something I’ve known about for years but that for some reason or another never migrated into my imagination as something I could use. You could also say that the pantry was getting bare, and I was looking back behind the first row of cans. For me, even if they’re not cataclysmic events—9/11 for instance—events around me have to settle into the ground and then percolate back up through my feet.”

— novelist Richard Ford